"I prefer the tone of uncertainty - it’s like an underlying principle for me... I never have an idea of how a work will end, only how it starts… Ambiguity can act as an invitation to fill the gaps, to author meanings or to steer the interpretation of a painting."
At the heart of Sam Lock’s new exhibition Carta is paper. Salvaged from a damaged collection of discarded artbooks, this series of works combines old pages pasted onto canvas, with interventions and marks made by the artist. The works continue Lock’s explorations into ideas of presence and absence, history and memory, time and repetition following his solo exhibition in London in October 2022. This exhibition, opening on the 2nd March, will also mark the launch of Cadogan’s new gallery space in Milan.
The pages on canvas create a grid like pattern, a linear suggestiveness to the canvas space that we, the viewer, try and read. There is a partial uniformity of mark here, but at the same time each one is different. The apparent deliberateness is an illusion, each one created entirely intuitively. The marks are signposts, leading in and out of the painting - roads to nowhere, repetitions and isolations.